# B O N G I O C O L L E C T I O N S 2 0 1 8

CR - CHROM

E

It is the most required finish with a mirror surface.

Our higher thickness of chrome grants highe

r

resistance

.

NI - LIGHT NICKEL

Finish very similar to the chrome but more warm

.

At the beginning you have a mirror-yellow surface

.

Then the time and the air change to a silve

r

tonality

.

NS - BRUSHED NICKE

L

Brushed finish of the am glossy one. It is similar t

o

the platinum but more warm. This could be ideal for

both modern and classical collections.

PL - PLATINUM

Brushed chromed galvanic finish, obtained through

a manual brushing, with the final effect of the

brushed stainless steel

.

ON - NATURAL BRAS

S

Natural finish of the raw brass that during th

e

time and in contact with the air, it will change the

tonality, becoming more dark over the surface

s

of less contact

.

BU - BURATTATO

Raw finish (not polished) with hammered effect

of the brass

.

OR - GOL

D

Galvanic finish obtained by 24 kt gold electrolyti

c

processing

.

OA - ROSE GOL

D

Galvanic finish obteined by 22 kt gold electrolytic

processing. That contain a smallest quantity of

copper that gives the characteristic rosed color,

ideal finish for classic and modern series

.

OP - BRUSHED GOLD

Manual brushing made on the am gold finish.

This has suggested for the modern collections

.

TT - TUSCAN

Y

Galvanic finish obtained through more phases

,

from a manual brushing to a particular polishing

.

Using a special glossy cream, we obtain the effect

of an old finish. This finish could oxidized in th

e

time over the parts of most contacts

.

This finish is made with manual treatments an

d

may therefore display colours variations due t

o

the particular craftsmanship.

37

FA - OLD IRO

N

Galvanic finish obtained by the deposit of differen

t

metallic finish, one over the other, plus a manual

brushing and a final application of a mat varnish t

o

maintain the old ‘effect’ during the time. This finis

h

it is the best for the classic and modern collections.

NE - MATT BLAC

K

Matt black tonality finishing obteined by powder

.

This finish is made with manual treatments an

d

may therefore display colours variations due to th

e

particular craftsmanship

.

RB - MATT MOK

A

Deep dark brown tonality for this finish obteined b

y

powder and then covered by a matt paint

.

BI - MATT WHIT

E

Matt white tonality finishing obteined by powder

.

RS-SS-SB-LI-YL-O

G

(F1 RED / SUPERSKY / STRAWBERRY / LIME

/

YELLOW FLASH / ORANGE

)

This finishes are made in gloss paint, ideal fo

r

modern series

.

RA - OLD COPPE

R

Galvanic finish obtained through a manual brushin

g

that evidences the metallic tonality of different kind

of copper and recovered by a transparent varnish

.

BR - BRONZ

E

Galvanic finish obtained by a manual brushing tha

t

evidences the dark and clear metallic reflections

,

covered then by a transparent varnish. This finish it

is the best for the classic collections

.

AG - OLD SILVE

R

Galvanic finish obtained through a manual brushin

g

and recovered by a transparent varnish. This finis

h

is similar to the tonality of the pewter and it ha

s

suggested for the classical collections

.

AS - BRUSHED STEE

L

The brushed stainless steel combines the benefit

s

of an extremely hygienic and strong object.

CN - BLACK CHROM

E

This finishing very similar to the Chrome but more

cold. The surface are like mirror with flosh similar t

o

“unix stone”.