80 PETER COHEN

THE EXPLORERS

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HOW TO USE ADVANCED

TECHNOLOGY TO ACHIEVE

THE ULTIMATE SIMPLICITY

Peter Cohen has a feeling for

details. Possibly because he made

his debut as a designer at the age

of 60, after a long career as a

storyteller, mainly in film. Anyone

who is familiar with making

movies knows that it is a long

process with many steps. The

filmmaker must bring together

a myriad of details to create

one enchanting story. A keen

eye for detail affected how

Cohen created his award-winning

shelf Cell.

“I set out to design a shelf for

someone who owns a lot of books. It had to be very

effective in spatial terms, yet aesthetically attractive

– strong yet lightweight.” The solution appeared one

night.

“The idea sneaked up on me from behind, while I was

sleeping,” says Cohen. “I pictured a bridge, with wires

and pylons. I also saw the shape of the double helix, the

structure of DNA, with its long, thin strings.”

He started working on a construction featuring

parallel metal wires with bead-shaped carriers attached

at regular intervals.

“I had to search the whole world to find someone

who could make them. I found there are only two manu-

facturers, and one of them is Swedish. Sadly, they

didn’t show any interest”. Fortunately, they later changed

their minds. Together the designer

and the engineers developed the

wire Cohen needed.

The shelves also called for

some innovative thinking and

clever construction.

“I wanted them strong yet

slender. Thinness played an

important role for the look, and

I needed the shelves to carry a

lot of weight without sagging.”

To meet this goal, the shelves

are made from high-strength

steel. It’s the same type of steel

used to make cars crash-proof.

The white laminate has a layer of

black underneath, to make the

edges visible as thin lines, cutting

light, white, airy composition.

horizontally through the

When the prototype for Cell premiered, it gave Cohen

an immediate break-through as a designer. By the time

String Furniture launched Cell in 2008, it had already

been awarded “Furniture of the Year” and several other

prizes in Sweden. That year Nationalmuseum added it

to its collection of contemporary design.

In 2021 String Furniture relaunches Cell, after a few

years pause.

Refined, both technically and visually, it’s not just

sturdily constructed but uniquely crafted. Perhaps we

can credit Cohen’s background for this. When you’ve

spent more than half of your life making movies, you

understand the value of details – and never give up, no

matter how many years it takes to get it right.

PETER COHEN. PETER COHEN IS A SWEDISH WRITER, DIRECTOR, FILM PRODUCER

AND FURNITURE DESIGNER. A GRADUATE OF STOCKHOLM UNIVERSITY’S COLLEGE

OF FILM, RADIO, TELEVISION AND THEATRE, HE HAS PRODUCED SOME OF SWEDEN’S

MOST BELOVED ANIMATED FILMS, AND DIRECTED SEVERAL DOCUMENTARIES.

IN 2007, HE WAS AWARDED SWEDEN’S “FURNITURE OF THE YEAR” PRIZE

FOR HIS HANGING BOOK SHELF CELL. COHEN’S WORK IS REPRESENTED AT

STOCKHOLM’S NATIONALMUSEUM.

THE ARTIST

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MATS THESELIUS

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THREE WAYS OF CELEBRATING ANNIVERSARIES

OF A TIMELESS DESIGN

Mats Theselius’s collaboration with String Furniture

has resulted in three anniversary models, released as

limited editions. All three are based on different

interpretations of Nisse and Kajsa Strinning’s original

design, taken to its artistic limit.

Theselius points out that originally String

®

was a simple

piece of furniture. Having been a symbol of the Swedish

post-war welfare state, it “faded away and vanished,”

only to then be resurrected and become a cult object.

Theselius’s first contribution to this revival was

launched for String’s 60th anniversary in 2009. It was

celebrated with his version of the small String

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Pocket,

festively dressed with rosewood shelves and golden

panels. “In jest or seriousness? It’s in the eye of the

beholder,” Theselius wrote at the time.

In 2015, String

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Pocket celebrated its 10th anniversary.

According to the artist, this occasion called for a shelf

made entirely from stainless steel – a symbol of the

amazing longevity of String

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. Theselius’s choice of

material means the shelf can last for hundreds of

years, and it opens up the possibility of using it outdoors

as well as inside the home. “It’s a way for an already

timeless classic to be canonised for all eternity”, as he

put it.

In 2019, the 70th anniversary of the String

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System

was also celebrated with a Theselius shelf based on

String’s light-weight elegance, thanks to its open panels

and the thin steel wire construction. With shelves of glass

and wall panels painted in the soft blue-green colour of

the edge of the glass, the shelf becomes “transparent,

almost intangible,” as Theselius describes it.

MATS THESELIUS. STUDIED INTERIOR ARCHI-

TECTURE AT KONSTFACK (UNIVERSITY OF ARTS,

CRAFTS AND DESIGN) IN STOCKHOLM, 1979–84.

PROFESSOR AT HDK SCHOOL OF DESIGN AND

CRAFTS, UNIVERSITY OF GOTHENBURG, 1995–96.

MEMBER OF THE ROYAL SWEDISH ACADEMY OF

FINE ARTS SINCE 2011. THESELIUS WORKS AT

THE CROSSROADS OF ART AND DESIGN, AND IS

BEST KNOWN FOR HIS INVENTIVE AND EXCLUSIVE

CHAIR DESIGNS. HIS AWARDS INCLUDE THE

BRUNO MATHSSON AWARD AND TORSTEN & WANJA

SÖDERBERG’S DESIGN PRIZE IN 1997, AND THE

KING OF SWEDEN’S PRINCE EUGEN MEDAL IN 2018.