WOOL COLLECTION

The unsaid things enclosed in the ellipsis are those instants in which thought from prose becomes poetry: revealing

by subtraction the most intimate part of our feelings without filters and mediations. The design is also made up

of suspension dots: moments in which aesthetics becomes a reference while form coincides with substance, and

nothing could be otherwise. Some projects are more important than others because they enclose an unmanifest

thought that has just been revealed, almost whispered: these are those pages in the history of design that are

dedicated to the authentic classics of reference points from which thousands of streams of other possibilities

unravel. This is how it is for the Wool project by Tacchini in the development of a thought that winds between

moments of subtraction and memory of tradition: with the recovery of the use of wool coming from realities of

small breeders and destined for pulping to be inserted within its own line of upholstered furniture in a perfect

balance between innovation and conservation. Furthermore, sustainability and circularity become the virtual

aspect of the whole process: in a sort of game of reflections where the beauty of an idea is infinitely amplified. Not

only is the upholstery itself substance and form enclosed and hidden in the stroke of the design but the absolute

protagonist of the project itself.

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